The oil-paint mixture features plumbonacrite, a rare compound that likely indicates the presence of lead oxide powder.
The addition of this powder allowed for a thicker oil-based paint that could dry quickly.
We know Leonardo da Vinci as a famed Italian painter, but what about da Vinci as a chemist? New research into the Mona Lisa shows that da Vinci may very well have crafted a new type of paint mixture that then endured as the norm for centuries.
By analyzing a minuscule spec of paint culled from the top right corner of the painting, a team of researchers were able to reveal the chemical makeup of the substance. In the resulting paper, published in the Journal of the American Chemical Society, the team describes a “singular mixture of strongly saponified oil with high lead content and a cerussite-depleted lead white pigment.”
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